Musikkanmeldelse (Review): Cope – The Mirror (2026)

We’re back, folks, and for this week’s discussion, my radar turns to THE MIRROR, the name of the robust new album arriving in the metal trenches on May 8, 2026, courtesy of the ingenious musician Drew Cope, an American musician, composer, and vocalist known for his artistic versatility and for moving between sounds ranging from dark alternative to emotional ambient rock. Cope remains based in the United States, where he developed his musical identity from influences of alternative rock, atmospheric music, electronic textures, and introspective lyrics marked by vulnerability and self-reflection.


Among the countless voices trying to rise within modern metal, few truly reach the weight, conviction, and authenticity required to carve out their own territory. Drew Cope — or simply Cope, in his solo journey — is one of those rare exceptions. An extreme vocalist, multi-instrumentalist, and producer, he doesn’t merely take part in heavy music: he breathes it, commanding every cog in the machinery of chaos.
Cope’s trajectory isn’t made of small steps, but of big stages. Playing for more than a thousand people alongside iconic names such as Winger, Warrant, HammerFall, and Delain is not just a résumé — it’s a trial by fire. Cope placed himself where few dare to stand — among giants — and came out of it greater, sharper, and increasingly aware of his own artistic power.
His ability to move between bands, projects, and musical personalities reveals an artist who understands the language of metal with rare depth. Vecta, THOUGHTCRIME, Draghoria, Darkest Void, Ab-$track, Immortal Sÿnn, Greater Flood — Cope navigates between styles and concepts without ever losing his signature: solid technique, a strong identity, and a vocal aggression that isn’t just displayed, but controlled with surgical precision.
His academic background reinforces what his career already made clear. With a Master’s degree in Music Production from CU Denver, contributions to music engineering and performance programs at the Colorado School of Mines, and direct mentorship under renowned names like Rich Veltrop and Glenn Sawyer at The Spot Studios, Cope merges the theoretical world with the instinctive one. And that balance is precisely what elevates his work as a producer and mentor. He teaches like someone who has lived — and survived — the road.


Speaking of the road, he spent six months touring with Immortal Sÿnn, where he not only performed but also managed, built connections, and forged pathways that many managers would take years to establish. Cope is a musician, yes — but also a strategic mind, and that always shapes the final outcome.
Coming soon, with 11 tracks ready for release under the name Cope, he prepares for the debut of his album “The Mirror“. Inspired by the struggle between who we are and who we aim to become, the record is already drawing attention before even being released. This isn’t speculation — it’s fact.
For anyone who doubts, the proof is visual: his one-take performance of “Atlantic” (Sleep Token) showcases not only technique but emotional delivery. No tricks, no hidden layers — just an artist with complete command of his craft.
Drew Cope is, above all, intensity.

The kind of artist who doesn’t just create music — he creates identity. And if “The Mirror” fulfills everything it promises, modern metal may be on the verge of gaining one of the most important names of its new generation.
I finally begin my listening experience with “Beckoning Tide,” an almost solemn soundscape of piano and soft vocals that evoke the nostalgia of the golden age of more touching melodic metal, but which here evolves into a more vibrant and determined sonic confrontation where each instrument takes center stage before a fusion that brings sense to the chaos, bordering on the most extreme rhythms without losing the beauty of technique and subtlety.
Cope is a true sonic architect, unafraid of the most daring challenges, let alone blending heavy guitars with guttural growls hovering over his challenging clean vocals. We go from industrial to death metal lines at the same speed as we return to traditional heavy metal structures and impactful riffs, with breathtaking solos. “Daylight” represents the pinnacle of musical creativity.
We move through more shimmering and synthesized plains until the harsh bass lines of “Decadence,” where the space becomes infinite for creation, from delightful melodies to the firmness of extreme metal and accelerated drums—the kind of beautiful thing that modern metal offers us. Complete and dancing on the dance floor with genres as varied as Cope’s diverse facets. Magnificent.
As creative as it gets, Cope takes us to the title track “The Mirror,” where the sound design comes alive with Gregorian chants that accompany guitars as visceral as the bold vocal lines he effortlessly crushes. In the composer’s own words, “Reflecting on one’s choices and knowing they must find their better self to triumph.”
The most brilliant aspect of this album lies in its versatility; no single genre takes center stage, a delight for so many different types of metal fans, and “The Weight” brilliantly proves this. There’s room for everyone, and together they make this a detailed, step-by-step work that even touches on the edge of progressive rock. So clearly defined, we move on to “Ritual of Me,” already breathless. The backing vocals are stunning in this semi-ballad that blends progressive melodic metal with so many nuances and grandiose melodies, while “Empathy” plays with guitars and Latin rhythms fused into extreme and visceral metal with a showcase of contrasting vocal styles.
We will still go through “My Devotion” in the return of the most pulsating and classic metal with clean and confrontational vocals; Cope shows the dexterity of someone who has nothing to fear and much to show.
There’s also room for the grandeur of “Desire” with its screaming guitars and playful bass lines in a stunning track. And of course, there’s also the melodious and dark “Darker Side,” bringing the album’s ballad to life in its majesty. The plains are phenomenal as the entire instrumental structure plays around Cope’s voice. The solidity of this one-man work is the formidable result of someone who relentlessly seeks his own best version. Firm, solid, polished, clean, and ingeniously crafted.
We conclude with the strange and chaotic delicacy of “Eternity“, the final act of an album made to impact you, envelop you, energize you, and blow you away. Forget the limits that metal imposed in the past; artists like Cope show that the horizon only expands and that the possibilities are endless.   Without a doubt, one of the best albums I’ve heard so far this year.

Rate: 10/10

Tracklist
1 – Beckoning Tide
2 – Daylight
3 – Decadence
4 – The Mirror
5 – The Weight
6 – Ritual of Me
7 – Empathy
8 – My Devotion
9 – Desire
10 – Darker Side
11 – Eternity

Line-up
Drew Cope – All instruments and vocals

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Musikkanmeldelse (Review): Maunah – Heimaland – EP (2025)

 Back to the lighthouse and eyes on the radar for the new releases of 2025. We’re back, sailors, and today our talk is about

MAUNAH, the new Danish progressive doom metal act and their debut EP HEIMALAND, released independently on June 20, 2025.


Heimaland arrives from the Nordic borders as an engaging album of just over 20 minutes, featuring three solid tracks full of atmosphere, a strong doom/progressive influence in folk and alt-rock, sumptuous landscapes, and impeccable instrumentals, courtesy of Danny Woe on drums and growl, Kasper Szydlowski and Janus Aaen on guitars, and none other than Søren Sol Koldsen-Zederkof on vocals, the same from the LOS project, bringing a rootsy and shamanic touch. The band also now features Jakob Kiilerich on bass, solidifying their unique sonic essence, and obviously everything is a mix that can’t go wrong, after all they brings together experienced members from Helge, (ex-)Woebegone Obscured, Altar of Oblivion and even Funeral Chasm.


Rich in emotions and playing with sensations, Heimaland delivers tracks with varied layers that mix melancholy with slow tempos in aligned guitars from beginning to end, there are choruses dueling with heavier riffs while Søren presents a new, more mature vocal composure that enchants.
Saivør brings another highlight of this release, a track with strong blackened vocals that contrast perfectly with bass and drums, an abrupt change of tempo and rhythm that reminds me a lot of Opeth at times.
We closed the EP with Theinajau, and here progressive music lovers will certainly feel right at home. A melancholic, deep track with tight riffs and perfect atmospheres, and incredible guitar work, we can’t wait to see what the future holds for MAUNAH.
I personally would be thrilled with a final production that is a little more refined and cleaner in a full-length, but for now MAUNAH is a diamond in the making.

RATE: 9,5/10

TRACK LISTING 
1 – Heimaland
2 – Saivør
3 – Theinajau

LINE UP 
Søren Sol Koldsen-Zederkof – Vocals

Danny Woe – Drums and growl
Kasper Szydlowski – Guitar
Janus Aaen – Guitar
Jakob Kiilerich – Bass (joined after photoshoot and recording)

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