Musikkanmeldelse (Review): Cope – The Mirror (2026)

We’re back, folks, and for this week’s discussion, my radar turns to THE MIRROR, the name of the robust new album arriving in the metal trenches on May 8, 2026, courtesy of the ingenious musician Drew Cope, an American musician, composer, and vocalist known for his artistic versatility and for moving between sounds ranging from dark alternative to emotional ambient rock. Cope remains based in the United States, where he developed his musical identity from influences of alternative rock, atmospheric music, electronic textures, and introspective lyrics marked by vulnerability and self-reflection.


Among the countless voices trying to rise within modern metal, few truly reach the weight, conviction, and authenticity required to carve out their own territory. Drew Cope — or simply Cope, in his solo journey — is one of those rare exceptions. An extreme vocalist, multi-instrumentalist, and producer, he doesn’t merely take part in heavy music: he breathes it, commanding every cog in the machinery of chaos.
Cope’s trajectory isn’t made of small steps, but of big stages. Playing for more than a thousand people alongside iconic names such as Winger, Warrant, HammerFall, and Delain is not just a résumé — it’s a trial by fire. Cope placed himself where few dare to stand — among giants — and came out of it greater, sharper, and increasingly aware of his own artistic power.
His ability to move between bands, projects, and musical personalities reveals an artist who understands the language of metal with rare depth. Vecta, THOUGHTCRIME, Draghoria, Darkest Void, Ab-$track, Immortal Sÿnn, Greater Flood — Cope navigates between styles and concepts without ever losing his signature: solid technique, a strong identity, and a vocal aggression that isn’t just displayed, but controlled with surgical precision.
His academic background reinforces what his career already made clear. With a Master’s degree in Music Production from CU Denver, contributions to music engineering and performance programs at the Colorado School of Mines, and direct mentorship under renowned names like Rich Veltrop and Glenn Sawyer at The Spot Studios, Cope merges the theoretical world with the instinctive one. And that balance is precisely what elevates his work as a producer and mentor. He teaches like someone who has lived — and survived — the road.


Speaking of the road, he spent six months touring with Immortal Sÿnn, where he not only performed but also managed, built connections, and forged pathways that many managers would take years to establish. Cope is a musician, yes — but also a strategic mind, and that always shapes the final outcome.
Coming soon, with 11 tracks ready for release under the name Cope, he prepares for the debut of his album “The Mirror“. Inspired by the struggle between who we are and who we aim to become, the record is already drawing attention before even being released. This isn’t speculation — it’s fact.
For anyone who doubts, the proof is visual: his one-take performance of “Atlantic” (Sleep Token) showcases not only technique but emotional delivery. No tricks, no hidden layers — just an artist with complete command of his craft.
Drew Cope is, above all, intensity.

The kind of artist who doesn’t just create music — he creates identity. And if “The Mirror” fulfills everything it promises, modern metal may be on the verge of gaining one of the most important names of its new generation.
I finally begin my listening experience with “Beckoning Tide,” an almost solemn soundscape of piano and soft vocals that evoke the nostalgia of the golden age of more touching melodic metal, but which here evolves into a more vibrant and determined sonic confrontation where each instrument takes center stage before a fusion that brings sense to the chaos, bordering on the most extreme rhythms without losing the beauty of technique and subtlety.
Cope is a true sonic architect, unafraid of the most daring challenges, let alone blending heavy guitars with guttural growls hovering over his challenging clean vocals. We go from industrial to death metal lines at the same speed as we return to traditional heavy metal structures and impactful riffs, with breathtaking solos. “Daylight” represents the pinnacle of musical creativity.
We move through more shimmering and synthesized plains until the harsh bass lines of “Decadence,” where the space becomes infinite for creation, from delightful melodies to the firmness of extreme metal and accelerated drums—the kind of beautiful thing that modern metal offers us. Complete and dancing on the dance floor with genres as varied as Cope’s diverse facets. Magnificent.
As creative as it gets, Cope takes us to the title track “The Mirror,” where the sound design comes alive with Gregorian chants that accompany guitars as visceral as the bold vocal lines he effortlessly crushes. In the composer’s own words, “Reflecting on one’s choices and knowing they must find their better self to triumph.”
The most brilliant aspect of this album lies in its versatility; no single genre takes center stage, a delight for so many different types of metal fans, and “The Weight” brilliantly proves this. There’s room for everyone, and together they make this a detailed, step-by-step work that even touches on the edge of progressive rock. So clearly defined, we move on to “Ritual of Me,” already breathless. The backing vocals are stunning in this semi-ballad that blends progressive melodic metal with so many nuances and grandiose melodies, while “Empathy” plays with guitars and Latin rhythms fused into extreme and visceral metal with a showcase of contrasting vocal styles.
We will still go through “My Devotion” in the return of the most pulsating and classic metal with clean and confrontational vocals; Cope shows the dexterity of someone who has nothing to fear and much to show.
There’s also room for the grandeur of “Desire” with its screaming guitars and playful bass lines in a stunning track. And of course, there’s also the melodious and dark “Darker Side,” bringing the album’s ballad to life in its majesty. The plains are phenomenal as the entire instrumental structure plays around Cope’s voice. The solidity of this one-man work is the formidable result of someone who relentlessly seeks his own best version. Firm, solid, polished, clean, and ingeniously crafted.
We conclude with the strange and chaotic delicacy of “Eternity“, the final act of an album made to impact you, envelop you, energize you, and blow you away. Forget the limits that metal imposed in the past; artists like Cope show that the horizon only expands and that the possibilities are endless.   Without a doubt, one of the best albums I’ve heard so far this year.

Rate: 10/10

Tracklist
1 – Beckoning Tide
2 – Daylight
3 – Decadence
4 – The Mirror
5 – The Weight
6 – Ritual of Me
7 – Empathy
8 – My Devotion
9 – Desire
10 – Darker Side
11 – Eternity

Line-up
Drew Cope – All instruments and vocals

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Musikkanmeldelse (Review): – Echoes In Eternity – Funeral World (2025)

Ah music…poetically, the definition of how the melody that gives life to the spirit and senses is condensed into a song that unites words and sounds to evoke emotions and express through rhythm and harmony, just as poetry expresses in verse and rhyme all the immensity and depth of the human soul. The fusion of both creates a unique language, where melody can be the “sensitive life of poetry” and the text takes on a new sonic guise…practically like a ritual gaining proportion and power, or like a catharsis massively releasing pent-up emotions, feelings, and tensions, or an escape valve to keep us from madness. This is the perfect definition for FUNERAL WORLD, the new release from Adelaide-based Australian metallers ECHOES IN ETERNITY, released on September 12, 2025.

It was a long two-year hiatus before these guys returned to the scene, following a sad breakup just as they were poised to explode onto the Froth & Fury Festival stage with their monumental debut full-length “Into The Negative“, and just like life’s strange coincidences and a series of personal situations, the reunion between composer and lead guitarist Aidan Cibich (Apophis) and vocalist Lee Gardiner (Double Dragon) brought back to life a sonic monster ready to confront all the negativity and pain these musicians have experienced in recent years. As the band themselves mention, this new album sees the band delve into a darker, more abrasive, and unrelenting sonic territory. Heavily inspired by the chaos of Pantera’s “The Great Southern Trendkill”, along with influences from Carcass and Death, the album abandons its previous mantra of composing positive and uplifting themes, the pain purely channeled and confronted with all the fervor of genius musicians. FUNERAL WORLD is a cathartic soundscape of self-discovery, exploring harsh themes like depression, family illness, and post-addiction survival. Recorded exclusively in Adelaide by Aidan Cibich, the album also features guest appearances by local legends KILLER (Storm The Crown) and PAUL13 on the final two tracks, a heavy nine-track return with striking cover art.

Aidan and Lee aren’t new to my reviews, from the beginnings of Apophis to the very beginnings of Echoes In Eternity, I’ve followed the development of these musicians. It took me a long time to finish this review because I wanted to be absolutely certain of every note on this album, every verse, every lyric, every detail. It was a long-awaited and deserved return.

I begin my listening with “The Ruins As They Lay” an engaging and timeless introduction that opens the album with a mature and firm sound that immediately delivers heavy guitars. But don’t get used to the serenity; this band came to bring the pain to its peak, remember?! In the blink of an eye, you’ll be immersed in a bold solo with an intoxicating atmosphere that will be brutally shattered in “Carnivore Incarnate”. Here, the instrumental builds to a visceral crescendo where Lee completely elevated his vocal capabilities, oscillating between harsh growls and strong choruses. The most delightful thing about this track is that it still plays with tempo changes and brings madness before another absurdly ferocious solo. An insane and forceful start to the album, with clean and precise production, a brave and honest track that’s also meticulous.

We move on to “Desolation” and here Death and Motörhead fans can easily join in the mosh pit, Aidan and Lee have a unique formula for uniting nuances and bringing each element of the track to the forefront in detail, as well as metal nuances without any confrontation. Death/Black Metal lovers will also delight in “Blood of Thy Coven” which simultaneously explores a darker side with passages that remind me of Opeth’s depressive and melancholic progressive metal, a curious and brilliant blend. One of my favorites so far. We now arrive at “Shinigami” and here this melancholy takes on a more aggressive sound, where drums duel with guitars and bass—a tribute to the production quality; each instrument is in its proper place without loss of quality.

Now follow me to “Scarlet Whispers” which brings balance and a breath of fresh air to the album, until we reach “Betrayal Of Flesh” with its horror-movie-worthy soundscape and blackened vocals. I must say, at this point, if all suffering leads to growth then Lee is literally proof of it. His vocals have become as violently insane as they are profuse and intimate when necessary. The guy simply goes from one end of metal vocal lines to the other without fear, the stuff of every producer’s sleep. Added to this are Aidan’s strings, which elevated technique and guitars to a new level on ECHOES IN ETERNITY.

We close the album with “Virtue Of Despair” and the title track, “Funeral World” an explosion of energy in lyrics and impeccable instrumentals. A strong band candidate to be the new face of Metal.

Score: 10/10

TRACK LISTING

1 – The Ruins As They Lay

2 – Carnivore Incarnate

3 – Desolation

4 – Blood Of Thy Coven

5 – Shinigami

6 – Scarlet Whispers

7 – Betrayal Of Flesh

8 – Virtue Of Despair

9 – Funeral World

LINE-UP

Aidan Cibich – Guitar

Lee Gardiner – Vocals

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Musikkanmeldelse (Review): Maunah – Heimaland – EP (2025)

 Back to the lighthouse and eyes on the radar for the new releases of 2025. We’re back, sailors, and today our talk is about

MAUNAH, the new Danish progressive doom metal act and their debut EP HEIMALAND, released independently on June 20, 2025.


Heimaland arrives from the Nordic borders as an engaging album of just over 20 minutes, featuring three solid tracks full of atmosphere, a strong doom/progressive influence in folk and alt-rock, sumptuous landscapes, and impeccable instrumentals, courtesy of Danny Woe on drums and growl, Kasper Szydlowski and Janus Aaen on guitars, and none other than Søren Sol Koldsen-Zederkof on vocals, the same from the LOS project, bringing a rootsy and shamanic touch. The band also now features Jakob Kiilerich on bass, solidifying their unique sonic essence, and obviously everything is a mix that can’t go wrong, after all they brings together experienced members from Helge, (ex-)Woebegone Obscured, Altar of Oblivion and even Funeral Chasm.


Rich in emotions and playing with sensations, Heimaland delivers tracks with varied layers that mix melancholy with slow tempos in aligned guitars from beginning to end, there are choruses dueling with heavier riffs while Søren presents a new, more mature vocal composure that enchants.
Saivør brings another highlight of this release, a track with strong blackened vocals that contrast perfectly with bass and drums, an abrupt change of tempo and rhythm that reminds me a lot of Opeth at times.
We closed the EP with Theinajau, and here progressive music lovers will certainly feel right at home. A melancholic, deep track with tight riffs and perfect atmospheres, and incredible guitar work, we can’t wait to see what the future holds for MAUNAH.
I personally would be thrilled with a final production that is a little more refined and cleaner in a full-length, but for now MAUNAH is a diamond in the making.

RATE: 9,5/10

TRACK LISTING 
1 – Heimaland
2 – Saivør
3 – Theinajau

LINE UP 
Søren Sol Koldsen-Zederkof – Vocals

Danny Woe – Drums and growl
Kasper Szydlowski – Guitar
Janus Aaen – Guitar
Jakob Kiilerich – Bass (joined after photoshoot and recording)

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Musikkanmeldelse (Review): Once Awake – Far Out And Beyond (2025)

 Don’t take your eyes off the radar, 2025 has arrived as a heavy year for releases and several names popping up on the scene and obviously Norway is not left out of the game, after all, whether some like it or not, the strongest export product of the lands of Odin continues to be the good old metal, and among so many new things here are some well-known guys that I already had the pleasure of talking about in 2022 and now they are back for the release of

  “FAR OUT AND BEYOND” on April 9, 2025, we are talking about the metalizers from Bergen ONCE AWAKE, and their ingenious enhanced Groove Metalcore mixed with Melodic Death metal that does not disappoint.


FAR OUT AND BEYOND” presents itself as a solid release of just over 33 minutes in length with fast and precise tracks, simplistic but assertive cover art and showing a much more mature and conscious band, both sonically and in vibrant lyrics and melodies, definitively proving that my observation back then was firm and consistent. ONCE AWAKE is far from being just garage boys making noise, quite the opposite, these guys know very well what they want and very well where they want to go, and they are certainly not messing around.

Once Awake Band

 The album is the band’s fifth full-length and a few tracks have already floated before live and on the guys’ channels, such as “Lost In A Maze” which even got an official video, or “Inner Fight” which already has a lyric video available.

 But enough talk, let’s get to the point, “Where’s All The Silence Gone” opens the album with a merciless kick in the door to blow up your speakers and boil your veins. The track goes from intriguing sound effects to brutal sounds and outlined guitars, explosive riffs and visceral vocals that efficiently captivate the listener in a fraction of a second, all to take us to the atmospheric and chaotic “Burning Wishes.” Here, the drums and guitars put on a show of their own, in a growing and impressive evolution. Frode Hennø knew how to take advantage of his years of experience and delivers touching lyrics in vocals without fear of daring, and you even find a very unexpected ending on the keyboard that I simply loved. And here is where I come to one of my favorite tracks on this release, “Injustice“, which pushes the album’s vibes forward and you even get a chorus that will surely bring an energized audience. Forget all that blah blah blah about technique and embellishments that you see out there, here you are getting a full menu of what the audience really wants to hear, catchy tracks for you to scream in unison, jump, get into the mosh and release your frustrations, your immediate escape valve, after all this is the best essence of metal. And believe me, you will even be caught off guard by stringed guitar in the midst of the violent unleashing of this track. Perfect work, my friends… perfect!

Trail Of Chaos” will follow suit with fast drums, and for those who have seen the guys cover P.O.D in the past, there will be some big surprises, with blackened vocals pulsing hard, machine-gun tempo and an impressive continuous evolution. Hans and Andrè go crazy at this point, delivering insane guitars, which will take you to “Meeting The End” without any pain. As I said, the band keeps a continuous evolution on all sides with very little respite.
Joy, joy, what a powerful guitar solo, fast, short, but very fun, I dare say that this track delivers a little bit of everything in metal without going overboard, in the same way that it will travel to “Kill The Concern” and its atmospheric plains. I’m sorry, dear readers, I’m not here to give you a burlesque critical analysis to delight “specialized” and journalistic media, I’m here to bring you sensations and the impression of a listener passionate about good music, oh… and what a relief to listen this… I haven’t listened such an invigorating album in a long time.
Nowadays the metal scene has become so inhospitable that sometimes we even forget how fun it can be to listen to metal, so obviously I’m happy to find a recharge of energy in “Inner Fight” or “Lost In A Maze“, where every instrument is exactly where it should be.

 We end our trip by decompressing with “Apollo“, and WOW…damn… what a sensational album! It wasn’t enough to electrify our metal essences, it wasn’t enough to deal with feelings, it wasn’t enough to deliver the catharsis of these brilliant musicians, they also delivered an instrumental track worthy of scenarios like Interstellar movie, what a wonderful ending, here’s your technique, ladies and gentlemen!

 The evolution of such versatile and intriguing musicians in their raw state. It’s at times like these that I’m proud to belong to Rock and Metal, blessed be the sons of Odin again, and like it or not, Norway continues to consolidate itself in metal as strong as ever.
Well…so is this a 10, reviewer? Oh Yeah! This is a long overdue and grateful 10 after three years since our last talk about ONCE AWAKE, and I hope you don’t waste any time and give this album a listen, and enjoy it because these guys are going to be on the road for a new UK tour soon. Then get them!


Congratulations, Once Awake! You guys deserve it.

See you!

RATE: 10/10

RELEASE – April 9, 2025

TRACK LISTING
1. Where’s All The Silence Gone
2. Burning Wishes
3. Injustice
4. Trail Of Chaos
5. Meeting The End
6. Kill The Concern
7. Inner Fight
8. Lost In A Maze
9. Apollo

 

LINEUP
Frode Hennø – Vocal
Hans Petter Solen – Guitar
Ørjan Paulsen – Drums
Andrè Kongestøl Solberg – Guitar

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Musikkanmeldelse (Review): Once Awake – Once Awake (2022)

A long hiatus and here we are again, sailors! The world continues to turn and we move forward navigating through the “multiverse of music” to brave the latest frontiers of releases, and today I resume my reviews with the Norwegians from Bergen ONCE AWAKE, and their eponymous album released independently on November 23, 2022, by the way, here’s the suggestion for contracting frontiers (A&R’s, come on!), these guys deserve a little more, don’t you think?

Maybe ONCE AWAKE is not a new name sounding to European ears, after all the guys performed at the very first Knotfest live streaming festival ‘Pulse Of The Maggots’ alongside some good ones like Orbit Culture and Vended, added to that is also the third album “Bridgeburner” released in 2020 which brought some international recognition, this all during the pandemic, but if we think a little more outside the box then there is a lot of information to provide yet, these astute lads have been spinning non-stop on the scene since the early 2000s in a frenetic mix of the wave of American bands with the epitome of Norwegian melodic death metal for which the country became embedded in the metal scene, and this is without a doubt one of those bands where structure is something formidable, yes, because while I still come across aspiring rock star dreaming of a fantasy career these guys here are down to earth and have a really strong sense of responsibility.

 Hans, Frode, Ørjan and Andrè are a troupe that strive to deliver a good product to the listeners and take it seriously, everything is absolutely chewed up and available to the public and that’s great, on top of all that the band keeps so solid and united in these years, for me it sounds almost like a miracle among so many that change members every month. But, but, let’s put past aside for a bit and focus on the present, after all we are here to talk about the fourth album and “Once Awake” already arrived with beautiful and straight cover art on 11 tracks with a total of little more 45 minutes, and we’ll pause at this point to say, “My Deed” becomes a sharp can opener kicking off the album, and to top it off the band even released the official video, so don’t delay to check it out!

My Deed” is a chunky track of dense guitars and frantic drums, the vocals may still be very core-line but mind you, we’re not talking about boys here, the vocal structure is intense and mature, all the instrumentation sounds crystal clear and the production sounds elaborate enough to make us look forward to discovering what we’re going to find next.
I don’t need to spoil anyone, I recognize good work when I hear it and “Bury Your Soul” exposes this even more, another fast and explosive track, steeped between metalcore and a kind of “modern death” metal, ONCE AWAKE becomes alchemistic and plays with layers and elements, “Meet The Maker” just continues the course despite sounding more like a sequel than a new track and “Crown” doesn’t differ much from that. You see, ONCE AWAKE is the type of band with strong fists, as I said, well structured, although this I miss a little daring, we need to be honest, sometimes you need to go a little further.

I remember listening to a cover of P.O.D that ONCE AWAKE recorded not long ago, it made me remember how hybrid some bands can become and it makes us want to categorize them into just one genre, that’s where we end up getting lost, after all, at what point do alternative metal, nu metal, metalcore and melodic metal get so far apart when musicians put everything together in a blender and mix it up without caring? Follow for example “Ashes of an Enemy” or “Blinded to Remind” and try to define them! But most importantly, “Once Awake” is an honest and carefully composed album, heavy in proportion and full of quality, even if there’s not as much adrenaline or surprises along the way it still sounds certainly fair, the kind you can listen all day without disturbing. Everything is where it should be and you can hear every member and instrument clearly without difficulty. What I can conclude is that this band has been on the road for a long time and has followed a good path, maybe the next step? Have you ever heard that a diamond needs to be polished? It defines everything! Anyway don’t let these guys go unheard, they work hard, babe! They work hard!

Highlight for “Trudelutt” and “Sculpture“.

RATE: 8,5/10

RELEASE – November 23rd, 2022

TRACK LISTING
1. My Deed
2. Bury Your Soul
3. Meet the Maker
4. Crown
5. Ashes of an Enemy
6. Sculpture
7.B linded to Remind
8. Alive
9. Shadows Ascend
10. Trudelutt
11. 585 (Essen, Germany 2022 Live)

LINEUP
Frode Hennø – Vocal
Hans Petter Solen – Guitar
Ørjan Paulsen – Drums
Andrè Kongestøl Solberg – Guitar

RELATED LINKS 
SPOTIFY – “Once Awake” (2022)

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